Valaji

Valaji is a symmetric rāgam that does not contain rishabham or madhyamam. It is a pentatonic scale (audava-audava rāgam in Carnatic music classification). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

• ārohaṇa : S G₃ P D₂ N₂ Ṡ
• avarohaṇa : Ṡ N₂ D₂ P G₃ S

(the notes used in this scale are shadjam, antara gandharam, panchamam, chathusruthi dhaivatham and kaisiki nishadham)

Valaji is considered a janya rāgam of Chakravakam, the 16th Melakarta rāgam, though it can be derived from other melakarta rāgams, Harikambhoji, Vagadheeswari, Ramapriya, Vachaspati or Nasikabhooshani, by dropping both rishabham and madhyamam. Since Chakravakam is lowest in ordinal number among these 6 melakarta scales, Valaji is associated with it.

Valaji is a pleasing scale, but has only a few compositions in classical music. It has been used to score film music as well. Here are some popular compositions composed in Valaji.

• Chalamu Seya (Varnam) by Lalgudi Jayaraman
• Anname Aruginil Va (Varnam) by Sri Subbudu
• Devadi Deva (Varnam) by Binni Krishnakumar
• Jalandhara Supithasthe Japa Kusuma Bhasure by Muthiah Bhagavatar
• Santatamu Ninne by G. N. Balasubramaniam
• Sri Gayatri by Saint Gnanananda Tirtha (Sri Ogirala Veera Raghava Sarma)
• Tandava Priya by Kalyani Varadarajan
• Dari Yavudayya and Nachike Padabeda by Purandara Dasa
• Padhame Thunai by Papanasam Sivan
• Kai Vidamattan by Natarajasundaram Pillai
• Maha Tripurasundari by N. S. Chidambaram

This section covers the theoretical and scientific aspect of this rāgam.

Graha bhedam

Valaji's notes when shifted using Graha bhedam, yields another pentatonic rāgam Abhogi. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For more details and illustration of this concept refer Graha bhedam on Abhogi.

Scale similarities

• Malayamarutam is a rāgam which has shuddha rishabham in both ascending and descending scales in addition to the notes in Valaji. Its ārohaṇa-avarohaṇa structure is S R₁ G₃ P D₂ N₂ Ṡ: Ṡ N₂ D₂ P G₃ R₁ S
• Nagasvaravali is a rāgam which has the shuddha madhyamam in place of the nishadam. Its ārohaṇa-avarohaṇa structure is S G₃ M₁ P D₂ Ṡ: Ṡ D₂ P M₁ G₃ S
• Mohanam is a rāgam which has the chathusruti rishabham in place of the nishadam. Its ārohaṇa-avarohaṇa structure is S R₂ G₃ P D₂ Ṡ: Ṡ D₂ P G₃ R₂ S

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