Mercury Falling

Alongside being used as the album's title, the phrase "mercury falling" appears as the first and last lyrics heard on the album. The lyric was the first written for the album (for "The Hounds of Winter"), and Sting later felt the phrase evoked the mood of the record and its variety of styles: "there are so many styles on this record and it darts around from genre to genre and back again. It's a very mercurial record, and it seemed to be the right thing to call the record."

"I Hung My Head" is one of many songs on the album to be played in an odd time signature, in this case ⁹
₈. Johnny Cash performed a cover of the song on American IV: The Man Comes Around, his final studio album released during his lifetime.

"Let Your Soul Be Your Pilot" displays a significant soul influence; Sting has stated that the music of artists such as Otis Redding and Aretha Franklin heavily inspired the track. Expanding on this theme, the Memphis Horns were brought in to play on the track. The lyrics were inspired by a friend who was suffering from AIDS, and how such an event can affect someone's outlook on life. Sting described the song as "a song about death, or dealing with death in a way that offers some sort of hope. I actually think it's quite an uplifting song - the intent is for it to be uplifting." Keyboardist Gerry Richardson performs on this song, the first time he had worked with Sting since the late 1970s when they were part of the jazz group Last Exit.

"I Was Brought to My Senses" is a song about gaining a greater appreciation for nature. It starts off as a folk ballad in ⁶
₈, before moving to the main part of the song, which features what Sting called "a Brazilian vibe" and is played in ⁷
₄.

The track "Twenty Five to Midnight" was excluded from the American and Canadian releases. It was included in the CD-Maxi Single of "You Still Touch Me", as the fourth track.

"La Belle Dame sans regrets" is sung entirely in French; its title translates to "the beautiful lady with no regrets". The song was co-written with Sting's guitarist Dominic Miller. Miller wrote the song's music as a tribute to Brazilian musician Antônio Carlos Jobim, composing it in his hotel room the day he heard about Jobim's death. Sting had guested on Jobim's album Antônio Brasileiro, which was released posthumously in 1994.

"Valparaiso" was used during the closing credits of the 1996 film White Squall.

Mercury Falling was released in March 1996. It reached number four in Sting's native UK and number five in the US, becoming his fifth straight studio album to make the top 5 in both countries. The album also achieved top ten placements in 16 other countries in addition to the European Albums Chart (where it topped the chart).

"Let Your Soul Be Your Pilot" was released as the album's first single on 19 February 1996. It became a top 20 hit in the UK, peaking at number 15, but stalled at number 86 in the US. It did, however, reach number 3 on the Billboard Adult Alternative Airplay chart. The single was most successful in Canada, where it peaked at number 7. "You Still Touch Me", the album's second single, reached number 27 in the UK. In the US, it was more successful than its predecessor, peaking at number 60. The song matched the previous single's chart placement in Canada, giving Sting yet another number 7 hit. A remixed version of "I Was Brought to My Senses", done by Steve Lipson, served at the album's third single. It barely missed the top 30 in the UK and failed to chart in the US. "I'm So Happy I Can't Stop Crying" was the album's final single. Toby Keith released a cover of the song as a single from his album Dream Walkin', Sting guested on the track which gave him his only country hit.

All tracks are written by Sting, except "La Belle Dame sans regrets" written by Sting and Dominic Miller.

Note: "Twenty Five to Midnight" was excluded from the original American and Canadian pressings of the album.

B-sides

• Sting, vocals, bass, arrangements
• Kenny Kirkland, keyboards
• Gerry Richardson, Hammond organ (3)
• Dominic Miller, guitars, arrangements (8)
• B. J. Cole, pedal steel guitar (6, 11)
• Vinnie Colaiuta, drums
• Andrew Love, saxophones (2, 3, 5, 7, 8)
• Branford Marsalis, tenor saxophone (3), soprano saxophone (4)
• Wayne Jackson, trumpet (2, 3, 5, 7, 8)
• Kathryn Tickell, fiddle (4), Northumbrian pipes (9)
• Lance Ellington, additional vocals (3, 4)
• Shirley Lewis, additional vocals (3, 4)
• Monica Reed Price, additional vocals (3, 4)
• Tony Walters, additional vocals (3, 4)
• East London Gospel Choir, choir (3, 4)
• Graeme Perkins, vocal session coordinator (3, 4)

Production

• Sting, producer
• Hugh Padgham, producer, engineer, mixing
• Simon Osborne, engineer
• Bob Ludwig, mastering
• Gateway Mastering (Portland, Maine), mastering location
• Danny Quatrochi, personal technical assistant
• Jeri Heiden, art direction, design
• William Claxton, photography
• Fabrizio Ferri, photography
• Miles Copeland III, management
• Kim Turner, management

Grammy Awards