Fuori

In 1980, writer Goliarda Sapienza is arrested for theft, and meets two young inmates in prison. Following their release, the three women form a deep bond.

• Valeria Golino as Goliarda Sapienza
• Matilda De Angelis as Roberta
• Elodie as Barbara
• Corrado Fortuna as Angelo Pellegrino
• Stefano Dionisi as Valerio
• Antonio Gerardi as Albert
• Francesco Gheghi as Waiter at the train station café
• Daphne Scoccia as "James Dean"
• Carolina Rosi as the friend who is robbed
• Francesco Siciliano as publisher
• Sonia Zhou as Suzie Wong
• Ondina Quadri as Prison Officer
• Paola Pace as Pizzi
• Luisa De Santis as Trasteverina

In March 2024, director Mario Martone announced that his next film would be about Goliarda Sapienza. Principal photography began in Rome in June 2024. Filming also took place in Fregenae and Maccarese.

The first promotional stills were released on 3 December 2024, while a promotional clip was released on 10 April 2025. The film will be distributed by 01 Distribution in Italy, while Goodfellas owns the international sales rights to the film. It had its world premiere in competition at the 78th Cannes Film Festival on 20 May 2025, and was theatrically released in Italy on 22 May 2025. It was theatrically released in France by Le Pacte on 3 December 2025.

On the review aggregator website Rotten Tomatoes, 58% of 12 critics' reviews are positive, with an average rating of 6.2/10. Metacritic, which uses a weighted average, assigned the film a score of 47 out of 100, based on 5 critics, indicating "mixed or average" reviews.

Damon Wise of Deadline wrote, "The ending, then, is a little disappointing, since it involves a little twist that, if she really was paying so much close attention, [Goliarda] Sapienza would have seen coming. Nevertheless, the film’s central premise is refreshing." Guy Lodge of Variety called the film "repetitive, tediously non-linear" and "restless, darting". He commended the performance of Matilda De Angelis, however, writing, "De Angelis is electric as the capricious, self-destructive Roberta, even if the character herself isn’t very substantively written, and the film's very pulse quickens whenever she enters the frame." Lee Marshall of Screen Daily also noted the film's non-linear structure, writing that "the temporal leaps don't distract from the fact that the plot is threadbare in places".

Accolades