Reference articles on history, science, culture and more
Encyclopedia

Flat (music)

Symbol indicating one semitone lower

In music, flat means lower in pitch. The flat symbol, , indicates that the note to which it is applied is played one chromatic semitone lower. The opposite of flat is sharp, indicating a raising of pitch.

The flat symbol () appears in key signatures to indicate which notes are flat throughout a section of music, and also in front of individual notes as an accidental, indicating that the note is flat until the next bar line.

01Pitch change

The symbol is a stylised lowercase b, derived from Italian be molle for "soft B" and German blatt for "planar, dull". It indicates that the note to which it is applied is played one chromatic semitone lower. In the standard modern tuning system, 12-tone equal temperament, this corresponds to 100 cents.

The difference in pitch indicated by a sharp or flat varies across different tuning systems. In tuning systems from the 16th and 17th century, and in modern microtonal tunings, the difference is normally smaller than a standard semitone. The change in pitch in the old quarter-comma meantone system would be 76.05 cents, in just intonation it would be 70.57 cents, and in Pythagorean tuning 113.7 cents. In well temperaments, the change in pitch indicated by a sharp or flat can vary.

Intricate systems of microtuning may replace the standard flat or sharp with different symbols for raising and lowering pitch. In 53 equal temperament tuning sharps and flats have two or three different sub-levels, and notation for flattening notes varies, but usually involves several different symbols; one of the sets of 53 tet flat symbols is (67.9 cents), (45.3 cents), and (22.6 cents), used both separately and in combinations.

03Flats in key signatures

    Order of flats in key signatures
   
Number
of flats
Major keyScaleMinor key
0C major, none, A minor
1F majorB♭D minor
2B♭ major B♭, E♭ G minor
3E♭ major B♭, E♭, A♭ C minor
4A♭ major B♭, E♭, A♭, D♭ F minor
5D♭ major B♭, E♭, A♭, D♭, G♭ B♭ minor
6G♭ major B♭, E♭, A♭, D♭, G♭, C♭* E♭ minor
7C♭ major B♭, E♭, A♭, D♭, G♭, C♭*, F♭* A♭ minor
The last two rows are shaded, indicating keys that are generally avoided, in
part because they use inconvenient enharmonic notes, denoted with "*".
In the standard tuning system of 12 equal temperament, the key of C major, with 7 flats is enharmonically equivalent with B major, which only requires 5 sharps.

The order of flats in key signatures is

B♭, E♭, A♭, D♭, G♭, C♭, F♭

The corresponding order of keys also follows the circle of fifths sequence:

F, B♭, E♭, A♭, D♭, G♭, C♭

Starting with no flats or sharps (C major), adding the first flat (B♭) indicates F major; adding the next (E♭) indicates B♭ major, and so on, backwards through the circle of fifths.

Some keys (such as C♭ major with seven flats) may be written as an enharmonically equivalent key (B major with five sharps in this case). In rare cases the flat keys may be extended further:

F♭ → B → E → A → D → G → C

requiring double flats in the key signature. These are generally avoided as impractical, and the simpler enharmonic key signature is used instead. This principle applies similarly to the sharp keys.

The staff below shows a key signature with three flats (E major or its relative minor C minor), followed by a note with a flat preceding it: The flat symbol placed on the note indicates that it is a D♭.

In standard 12 tone equal temperament tuning, lowering a note's pitch by a semitone results in a note that is enharmonically equivalent to the adjacent named note. In this system, B and A are considered to be equivalent. In other, non-standard tuning systems, however, this is not the case.

04Accidentals

Accidentals are placed to the left of the note head.

They apply to the note on which they are placed and to subsequent similar notes in the same measure and octave. In modern notation they do not apply to notes in other octaves, but this was not always the convention. To cancel an accidental later in the same measure and octave, another accidental such as a natural (♮) or a sharp (♯) may be used.

05Other notation and usage

  • Historically, raising a double flat to a single flat could be notated using a natural sign and a flat sign (♮♭) or vice-versa (♭♮). Modern notation often simply uses a single flat. The combination ♮♭ can be used when changing a sharp to a flat.
  • In environments where the symbol is not supported, or in specific text notation, a double flat can be written with two single flat signs (♭♭), two lower-case b's (bb), etc. Likewise, a triple flat can also be written as ♭♭♭, etc.
  • In environments where the or 𝄳 symbol is not supported, or in specific text notation, a half flat can be written as a lower-case d. Likewise, a flat and a half can be written as d♭ or db.
  • To allow extended just intonation, composer Ben Johnston uses a flat as an accidental to indicate a note is lowered 70.6 cents.

06Unicode

The Unicode character ♭ (U+266D) can be found in the block Miscellaneous Symbols; its HTML entity is ♭. Other assigned flat signs can be found in the Musical Symbols block and are as follows:

  • U+1D12B 𝄫 MUSICAL SYMBOL DOUBLE FLAT
  • U+1D12C 𝄬 MUSICAL SYMBOL FLAT UP
  • U+1D12D 𝄭 MUSICAL SYMBOL FLAT DOWN
  • U+1D133 𝄳 MUSICAL SYMBOL QUARTER TONE FLAT
Watch videos about Flat (music)Explainers and documentaries on YouTube (opens in a new tab)

Sources and credits

This article is adapted from the Wikipedia article Flat (music), written by its contributors and licensed under CC BY-SA 4.0. Fathomly has changed the layout, removed citation markers, navigation and maintenance notices, and adjusted punctuation. This adapted version is shared under the same license. For references, see the original article.

Fathomly is not affiliated with or endorsed by the Wikimedia Foundation. Spotted a problem? Tell us.