C major
Major scale based on C
C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor.
The C major scale is:
Audio playback is not supported in your browser. You can download the audio file.These are less common and mostly used in jazz. Changes needed for the melodic and harmonic versions of the scale are notated with accidentals as necessary. The C harmonic major and melodic major scales are:
Audio playback is not supported in your browser. You can download the audio file. Audio playback is not supported in your browser. You can download the audio file.On the piano, the C major scale can be played using only the white keys starting on C.
01Scale degree chords
The scale degree chords of C major are:
02Compositions
Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" and are of a primarily celebratory mood. Wilfrid Mellers believed that Mozart's Symphony No. 41, written in 'white' C major, "represented the triumph of light". (See also List of symphonies in C major.)
Many masses and settings of the Te Deum in the Classical era were in C major. Mozart and Haydn wrote most of their masses in C major. Gounod (in a review of Sibelius' Third Symphony) said that "only God composes in C major". Six of his own masses are written in C.
Of Franz Schubert's two symphonies in the key, the first is nicknamed the "Little C major" and the second the "Great C major".
Scott Joplin's "The Entertainer" is written in C major.
The idea that musical keys can conjure up specific feelings has been discussed in some instances. This notion is further explored in a radio program called The Signature Series. American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, but also the key of regret". Sibelius's Symphony No. 7 is in C major and that key was of great importance in his previous symphonies.
Notable examples
- Johann Sebastian Bach
- Toccata, Adagio and Fugue in C major, BWV 564
- Prelude and Fugue in C major, BWV 846
- Sonata No. 3 in C major, BWV 1005
- Cello Suite No. 3, BWV 1009
- Joseph Haydn
- Cello Concerto No. 1 (1761-65)
- Symphony No. 7, Le Midi (1761)
- Symphony No. 60, Il distratto (1774)
- Symphony No. 82, The Bear (1786)
- String Quartet No. 32, The Bird (1781)
- String Quartet No. 62, Emperor (1797-98)
- Mass No. 10, Missa in tempore belli (1796)
- Wolfgang Amadeus Mozart
- 12 Variations in C major on the French song "Ah, vous dirai-je, Maman", KV 265
- Concerto for flute and harp, KV 299/297c
- Piano Concerto No. 8, KV 246 ("Lützow")
- Piano Concerto No. 13, KV 415
- Piano Concerto No. 21, KV 467
- Piano Concerto No. 25, KV 503
- Piano Sonata No. 1, KV 279
- Piano Sonata No. 7, KV 309
- Piano Sonata No. 10, KV 330
- Piano Sonata No. 16, KV 545
- String Quartet No. 19, KV 465 ("Dissonance")
- Symphony No. 16, KV 128
- Symphony No. 22, KV 162
- Symphony No. 28, KV 200
- Symphony No. 34, KV 338
- Symphony No. 36, KV 425 ("Linz")
- Symphony No. 41, KV 551 ("Jupiter")
- Ludwig van Beethoven
- Piano Sonata No. 3, Op. 2, No. 3
- Piano Concerto No. 1, Op. 15
- Symphony No. 1, Op. 21
- Rondo Op. 51, No. 1
- Piano Sonata No. 21, Op. 53 ("Waldstein")
- Triple Concerto for violin, cello, and piano in C major, Op. 56
- String Quartet No. 9, Op. 59/3 ("Rasumovsky")
- Mass in C major, Op. 86
- Franz Schubert
- Wanderer Fantasy, Op. 15 D. 760
- Fantasy for violin and piano, D. 934
- Sonata for 4-hands, D. 812 (Grand Duo)
- Symphony No. 6 (Little)
- Symphony No. 9, D. 944 ("Great")
- String Quintet in C major, D. 956
- Felix Mendelssohn
- Frédéric Chopin
- Robert Schumann
- Toccata, Op. 7
- Fantasie in C, Op. 17
- Arabeske, Op. 18
- Symphony No. 2, Op. 61
- Anton Bruckner
- Georges Bizet
- Jean Sibelius
- Symphony No. 3, Op. 52 (1907)
- Symphony No. 7, Op. 105 (1924)
- Maurice Ravel: Boléro
- Igor Stravinsky: Symphony in C (1940)
- Sergei Prokofiev
- Piano Concerto No. 3, Op. 26 (1921)
- Symphony No. 4 (original version), Op. 47 (1930)
- Symphony No. 4 (revised version), Op. 112 (1947)
- Dmitri Shostakovich: Symphony No. 7, Op. 60 ("Leningrad")
- Terry Riley: In C
- Duke Ellington: "C Jam Blues"
Sources and credits
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